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The Oscar: How It’s Made, and What It’s Worth

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The Oscar: How It's Made, and What It's Worth

The Oscar: How It’s Made, and What It’s Worth

Presented by: JMBullion

The “Academy Award of Merit”, more commonly known as an Oscar, has been awarded since 1929. The modern Oscar stands 13.5 inches tall with a weight of 8.5 lbs, and it is made of solid bronze with a electroplated coating of 24-karat gold.

However, the world’s most beloved trophy wasn’t always made this way. Here’s the evolution of how an Oscar is made, and what people are willing to pay to get their hands on one.

The Evolution of the Award

1928: The original Oscar was sculpted by Los Angeles artist George Stanley. The design was based on sketches by MGM art director Cedric Gibbons, who came up with the idea of a knight standing on a reel of film gripping a crusader’s sword.

1929: The first ever Oscar was presented at the initial awards banquet on May 16, 1929 to Emil Jannings for Best Actor. It was made of gold-plated solid bronze.

1930s: The bronze was abandoned in favor of britannia metal, a pewter-like alloy which is then plated in copper, nickel silver, and finally, 24-karat gold.

World War II: Due to a metal shortage, Oscars were made of painted plaster for three years. After the war, the Academy invited recipients to redeem the plaster figures for gold-plated metal ones.

1983: R.S. Owens and Company, a Chicago-based awards manufacturer, takes over the contract to build Oscars.

2016: The Academy announced that New York-based Polich Tallix will help return the statuette closer to its original design.

The New Oscar

Using a cast bronze Oscar from 1929, Polich Tallix artisans have restored subtle features of George Stanley’s original sculpture, which was based on sketches by MGM art director Cedric Gibbons.

This was done by creating a digital scan of the 1929 statuette, and then 3D printed and molded so the form could be cast in wax.

Here’s how each new Oscar is made:

  • The modern wax versions are dipped in a ceramic shell slurry for ten coats. Once the shell is cured, it is fired in an oven at 1600° F.
  • Bronze at 1860° F is then poured into the hot ceramic shell and allowed to cool overnight.
  • The next morning, the bronze castings are broken out of the ceramic shell and the plumbing system that guides the metal into the body of the casting is cut off.
  • The castings are then sanded to a mirror polish finish and electroplated with a permanent layer of 24-karat gold by Epner Technology.
  • The statuette’s bronze base receives a smooth black patina, which is hand-buffed to a satin finish.

The time required to produce 50 statuettes in this manner is about three months.

“With the help of some 21st century technology, we’re able to honor the Oscar’s proud beginnings,” said Academy President Cheryl Boone Isaacs. “The new statuette exemplifies impeccable craftsmanship and the enduring nature of art.”

What’s an Oscar Worth?

Oscars on the open market can command up to millions of dollars. However, this wouldn’t be the case if the Academy had its way.

Since 1950, the Academy has not allowed winners to keep Oscars unless a First Right of Refusal agreement is signed. It stipulates that an Oscar cannot be sold by a winner unless it is offered to the Academy first for the sum of $1.

Here’s what an Oscar is really worth:

According to R.S. Owens, the longtime maker of modern-day Oscars up until this year, the cost to produce one statuette is $400.

Assuming $1,200/oz gold, a standard gold electroplated coat of 15 millionths of an inch thick, and a 2.2 sq. ft surface area, the melt value of the gold coating alone is $57.40.

A hypothetical solid gold Oscar? It would weigh 18 lbs and have a melt value of $330,522.

Stars Hit the Bid

Since 1929, approximately 150 Oscars have been sold on the open market, with around half of them being grey-market sales from the post-1950 era.

Here’s some stars that have bought or bid for Oscars during their careers. All numbers are converted to 2016 USD:

David Copperfield – $299,000
Oscar for Best Director to Michael Curtiz (Casablanca, 1942)

Copperfield bought it in 2003, and kept it in his bedroom. He auctioned it off for over $2 million in 2012

David Copperfield – $907,000 (failed bid)
Oscar for Best Screenplay to Orson Welles (Citizen Kane, 1941)

Copperfield tried to acquire a second Oscar in 2011, but was outbid by a private buyer

Michael Jackson – $2.19 million dollars
Oscar for Best Picture (Gone With the Wind, 1939)

Bought in 1999 for a record price of $1.54 million at the time, Michael paid far higher than the pre-sale estimated price of $300,000.

Steven Spielberg – $917,000
Oscar for Best Actor to Clark Gable (It Happened One Night, 1943)

Spielberg bought the Oscar, and donated it back to the Academy for safekeeping

Steven Spielberg – $773,000
Oscar for Best Actress to Bette Davis (Jezebel, 1938)

Spielberg bought the Oscar, and donated it back to the Academy for safekeeping

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Visualizing the New Era of Gold Mining

This infographic highlights the need for new gold mining projects and shows the next generation of America’s gold deposits.

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The following content is sponsored by NOVAGOLD

Visualizing the New Era of Gold Mining

Between 2011 and 2020, the number of major gold discoveries fell by 70% relative to 2001-2010. 

The lack of discoveries, alongside stagnating gold production, has cast a shadow of doubt on the future of gold supply. 

This infographic sponsored by NOVAGOLD highlights the need for new gold mining projects with a focus on the company’s Donlin Gold project in Alaska.

The Current State of Gold Production

Between 2010 and 2019, gold production increased steadily, though this growth has stagnated over the past few years.

YearGold Production, tonnesYoY % Change
20102,560-
20112,6603.9%
20122,6901.1%
20132,8004.1%
20142,9906.8%
20153,1003.7%
20163,1100.3%
20173,2303.9%
20183,3002.2%
20193,3000.0%
20203,030-8.2%
20213,0902.0%
20223,1000.3%

 Along with a small decrease in gold production in 2020, there were no new major gold discoveries in 2021.

The fall in production and long-term lack of gold discoveries point towards a possible imbalance in gold supply and demand. This calls for the introduction of new gold development projects that can fill the supply-demand gap in the future. 

Sustaining Supply: Gold for the Future

Jurisdictions play an important role when looking for projects that could sustain gold production well into the future.

From political stability to trustworthy legal systems, the characteristics of a jurisdiction can make or break mining projects. Amid ongoing market uncertainty, political turmoil, and resource nationalism, projects in safe jurisdictions offer a better investment opportunity for investors and mining companies. 

Today, 10 of the top 15 mining jurisdictions for investment are located in North America, according to the Fraser Institute report published in 2023. 

A Golden Opportunity

Located in Alaska, one of the world’s safest mining jurisdictions, NOVAGOLD’s 50% owned Donlin Gold project has the highest average grade of gold among major development projects in the Americas. For every tonne of ore, Donlin Gold offers 2.24 grams of gold, which is more than twice the global average grade of 1.04g/t. 

Additionally, Donlin Gold is the second-largest gold-focused development project in the Americas, with over 39 million ounces of gold in M&I resources inclusive of reserves. 

Visual Capitalist Logo

NOVAGOLD is focused on the Donlin Gold project in equal partnership with Barrick Gold.
Learn more about Donlin Gold 
.

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