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Visualized: The Daily Routines of Famous Creatives

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A grid of donut charts showing the daily routines of 16 great artists, writers, and thinkers.

Visualized: The Daily Routines of Famous Creatives

What is the best daily routine to unlock creativity, or is there such a thing?

Many modern suggestions for optimizing creativity—like scheduling time for “deep work,” and building small, sustainable “atomic habits”—can be traced back to famous creatives in many different eras. And though they all found success, they employed different methods as well.

In this unique visualization, RJ Andrews from InfoWeTrust has charted how notable creatives in different fields spent their days. He picked 16 of the 161 “inspired minds” covered by Daily Rituals: How Artists Work, a book by writer and editor Mason Currey published in 2013.

How Much “Creativity Time” in Famous Daily Routines?

Dividing the day into 24 hours, Andrews denoted certain categories for daily activities like working creatively, sleeping, and other miscellaneous endeavors (meals, leisure, exercise, and social time).

For the creatives with a separate day job—Immanuel Kant and Wolfgang Amadeus Mozart—their ordinary labor is also counted in miscellaneous activities.

Below is a breakdown of the daily routine of all 16 people featured above:

NameOccupationCreative (hrs)Sleep (hrs)Miscellaneous (hrs)
Maya AngelouWriter/Poet97.57.5
W.H. AudenPoet11.575.5
Honoré de BalzacNovelist13.58.52
L.V. BeethovenComposer / Pianist888
Le CorbusierArchitect8.578.5
Charles DarwinNaturalist / Biologist/ Geologist789
Charles DickensWriter5712
Gustave FlaubertNovelist10.576.5
Sigmund FreudPsychologist12.565.5
Benjamin FranklinWriter / Inventor / Scientist / Statesman879
Victor HugoWriter2814
Immanuel KantPhilosopher7710
Thomas MannNovelist888
John MiltonPoet879
W.A. MozartComposer / Pianist8511
P.I. TchaikovskyComposer4.5811.5

The average and median amount of time spent on creative work for these individuals was just over 8 hours a day. At the extremes were two French novelists, Honoré de Balzac with 13.5 hours daily spent on creative work, and Victor Hugo with only 2 hours.

Interestingly, the allocation of creative work time was different in almost every daily routine. Maya Angelou’s routine resembles the modern work day, with the bulk of her writing between 7 a.m. to 2 p.m. Others like Kant and Mozart had creativity blocks when time allowed, such as before and after their teaching jobs.

Then there are outliers like Honoré de Balzac and Sigmund Freud, who worked as much as they could. Balzac wrote from 1:00 a.m. to 4:00 p.m. with just an hour and a half nap break in between, fueled by up to 50 cups of coffee. Freud split up his creative work into three different blocks: analyzing patients in the morning, consulting in the afternoon, and reading and writing journals into the late evening.

But somewhere in their days, most of these brilliant minds made sure to get a good rest, with an average of 7.25 hours of sleep across the board.

Schedule Yourself to Create Success

Creativity may ebb and flow, but these great minds had one clear thing in common: scheduling time for creative work.

The perfect daily routine was usually what fit in with their lifestyle (and their bodies), not based on an arbitrary amount of work. For example, night owls with later chronotypes worked late, while socialites and politicians found time outside of their commitments.

They also found time to move and enjoy life. Half of the people in the dataset specified exercise in their accounts—either leisurely strolls or fast walks. Many also scheduled social time with partners, friends, or children, often paired with a meal.

Perhaps the greatest insight, however, is that the day-to-day routine doesn’t have to look extraordinary to be able to create extraordinary work.

Much of the data is sourced from personal anecdotes by the artists themselves, or from biographers, researched and collected by Currey in Daily Rituals. In some cases, Andrews needed to assume habits — usually sleep — due to missing, or non-specific information.
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This article was published as a part of Visual Capitalist's Creator Program, which features data-driven visuals from some of our favorite Creators around the world.

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Misc

Vintage Viz: China’s Export Economy in the Early 20th Century

This pie chart, circa 1914, is a fascinating breakdown of China’s export economy just prior to World War I.

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Vintage Viz: China’s Export Economy in the Early 20th Century

“The past is a foreign country; they do things differently there” is the oft-quoted first line of L.P. Hartley’s 1953 novel, The Go-Between.

A statement that is as profound as it is banal. In other words, when we do history, we’re a bit like tourists. If we really want to understand the past, we have to think like a local.

The infographic above, Aspects of Principal Exports of Chinese Goods to Foreign Countries, is the first in a series that we’re calling Vintage Viz, which presents a historical visualization along with the background and analytical tools to make sense of it.

Today, the People’s Republic of China is the second largest economy in the world, a permanent member of the UN Security Council, and a growing military power. But at the dawn of the 20th century, things were much, much different.

Opium and the Opening of China to the West

Early Sino-Western trade was restricted by the Qing emperors to three ports, and after 1757, just one, in what became known as the Canton System. This name came from the one remaining port city of the same name, present-day Guangzhou.

Foreign trade was tightly monitored and subject to stiff tariffs, and Western traders chafed under these restrictions. So when in 1839, Chinese authorities moved to shut down opium smuggling—an important source of profit for foreign merchants—Western powers saw their chance and used the pretext to revise the terms of trade by force.

In what became known as the Opium Wars, 1839-1842 and 1856-1860, first Great Britain and then an Anglo-French alliance defeated imperial China and imposed punitive treaties that included indemnities and lowered tariffs, but also expanded the number of ports open to foreign traders, first to five and by 1911, to more than 50.

Map of China in 1904

Westerners were exempted from local laws, Christian missionaries were allowed to proselytize freely, and the opium trade was legalized. Hong Kong was also ceded to Great Britain at this time.

The Treaty Port Era, also known as the Century of Humiliation, was perhaps too much for the country to bear. The weakened central government was beset by popular unrest, including the Taiping Rebellion (1850–64), which killed 20 million people, and the Boxer Rebellion (1899-1901), so-named for the secret society that led the movement, the Righteous and Harmonious Fists.

Eventually, the last Chinese emperor was deposed and a republic declared in 1911. Nevertheless, the government was too weak to impose its will, and was repeatedly challenged by warlords.

So as we approach the outbreak of the First World War in 1914, and the period covered by our visualization, we find China weakened internally by civil strife, and externally by Western powers.

The History of this Century-Old Pie Chart

Aspects of Principal Exports of Chinese Goods to Foreign Countries captures Chinese exports for 1914, and comes from The New Atlas and Commercial Gazetteer of China: A Work Devoted to Its Geography & Resources and Economic & Commercial Development.

Originally published in 1917 and edited by Edwin J. Dingle for the Far Eastern Geographical Establishment, the volume contains a wealth of data for the period. According to the book’s Preface, it “seeks to give all the information that is essential to the business-man in regard to a country… about which less is known than in regard to any similar area in the world.”

The visualization breaks down total Chinese exports for 1914 in haikwan taels (hk. tls.), a unit of silver currency used to collect tariffs. In 1907, one haikwan tael was worth $0.79 U.S. dollars.

Official figures come from the Chinese Maritime Customs Service. This was set up by foreign consuls after the First Opium War to collect tariffs to guarantee the payment of treaty indemnities.

Exports in 1914 represented 345 million hk. tls., a 14.4% decrease from 1913, likely owing to the outbreak of the First World War that same year.

Apart from “Other Metals and Minerals, Sundries, etc,” which served as a catch-all category, the largest categories were silks and teas of various types, representing 22.6% and 10.4% of total exports respectively.

Export ItemValue (hk. tls.)
Animals, Living5,270,910
Beancake21,734,135
Bristles4,347,582
Coal8,624,805
Cotton Goods2,012,128
Cotton, Raw12,339,549
Eggs, Fresh, Preserved and Frozen4,192,535
Fire crackers and fire works2,435,841
Grasscloth1,422,727
Mats and Matting3,326,819
Medicines2,672,341
Oil, Bean and Nutgalls6,027,967
Oil, Groundnuts2,414,900
Oil, Wood3,736,275
Opium, Chinese250,255
Other Metals and Minerals, Sundries, etc74,449,181
Paper2,864,983
Ramie1,664,463
Seed, Rape2,662,349
Seed, Sesamum6,355,317
Sheep’s Wool6,658,962
Silk Cocoons2,078,721
Silk Piece Goods10,841,472
Silk Pongees4,720,914
Silk Waste5,025,679
Silk, Raw, not Steam Filature2,811,367
Silk, Raw, White, Steam Filature37,384,485
Silk, Raw, Wild not Filatures4,072,777
Silk, Raw, Yellow Steam Filatures1,267,413
Silk, Raw, Yellow, (not Steam Filature)4,439,073
Silk, Re-Reeled5,552,127
Skins and Hides Undressed (Cow and Buffalo)13,499,340
Skins, Goat Untanned3,207,974
Straw Braid1,104,310
Tallow, Animals and Vegetables3,175,270
Tea Brick, Black6,711,019
Tea Brick, Green2,323,259
Tea, Black16,203,547
Tea, Green10,785,584
Timber1,820,273
Tin, in Slabs7,978,558
Vermicelli Macaroni1,957,827
Wheat3,850,179
Yellow Beans19,005,709
Total345,280,901

Below are some more details that emerge from this visualization.

All the Tea in China

The Chinese tea trade was the subject of another visualization in the Atlas. It shows that China had been steadily losing ground to British India. Between 1888-1892 Chinese exports to Great Britain were 242 million pounds against India’s 105 million pounds. By 1912-1913, India had surpassed China to export 279 million pounds against 198 million pounds.

In 1914, the majority of Chinese exports went to Russia, 902,716 piculs in all. A picul is equal to “as much as a man can carry on a shoulder-pole” or about 133 pounds.

The Silk Road to Profits

Silk has long been in demand in the West as a luxury good, giving its name to the overland trade route that connected East and West for centuries: the Silk Road.

In 1914, China was the largest producer and exporter of silks in the world. On an annual basis, China averaged 14 million pounds, compared to the number two spot, Japan, at 11 million pounds, and number three, Italy, at 9 million pounds. Together, these three controlled 81.7% of the global silk trade.

Chart showing China's silk supply in 1914

The Opium of the Masses?

The opium trade, the pretext that opened China to foreign trade, was still big money in 1914.

A total of 37 million hk. tls. were imported in 1914 from India, up 11.9% from 1908. This is actually down from a peak of 41 million hk. tls. in 1913.

Chart showing China's opium trade in the early 20th century

In 1907, China signed the Ten Year Agreement with India, which ultimately phased out the opium trade. By 1917 the trade was all but extinguished.

Back to the Future

The Aspects of Principal Exports of Chinese Goods to Foreign Countries is a far cry from the contemporary trade picture. China’s top export in 2021 was in the category “telephones for cellular networks or other wireless networks,” and was worth $147.1 billion.

But it’s worth noting that China today is a direct result of this period. The resentment created during the Century of Humiliation would eventually help lead to Mao Zedong, the Long March, and the establishment of the People’s Republic of China.

And in 1979, the Chinese central government would set up the first of their own “treaty ports,” in the form of special economic zones, places where foreign companies could set up shop. But this time, it wasn’t foreign powers who were making the rules.

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